Version | Platform | Release date | Significant changes | Codename |
Adobe Premiere 1.0 | Mac | December 1991 |
- First release of Premiere
- QuickTime multimedia and VideoSpigot format support
- PICT image support
- Supported up to 160 x 120 pixels movie creation
- Supported 8-bit audio
- Supported output to video tape
| Demon |
Adobe Premiere 2.0 | Mac | September 1992 |
- QuickTime video and audio capture support
- Title creation
- Title, Sequence, and Construction windows
- Slow/fast motion support
- 5 audio and 41 movie/still-image filters
- 49 special effects
- 16-bit, 44 kHz audio support
- Filmstrip file format introduced
- Numbered PICT sequence support
- EDL support
- Illustrator text import
- SMPTE timecode support
|
Adobe Premiere 3.0 | Mac | August 1993 |
- 99 stereo audio tracks
- 97 video tracks
- Video waveform monitor
- Sub-pixel motion and field rendering
- Batch digitizing
- Full framerate preview from disk
- Enhanced title window
|
Adobe Premiere 1.0 | Windows | September 1993 |
- First release of Premiere application for Windows platform
- 24-bit AVI and QuickTime video format support
- Autodesk Animator file support
- AVI, AIFF, and WAV audio format support
- Still image support (Photoshop, BMP, DIB, PCX, PICT, PCX, and TIFF formats)
- Two video tracks, three audio tracks, and one transition and superimpose track
- No EDL, titling, and motion and device control available in then current Mac (v3.0) release
|
Adobe Premiere 1.1 | Windows | February 1994 |
- AdobeCap video capture module
- Expanded graphics and audio file support
- TARGA and ADPCM file support
- Image sequence import support
|
Adobe Premiere 4.0 | Mac | July 1994 |
- Support for 97 superimposition tracks plus two A/B tracks
- Trim window
- Dynamic previewing
- Custom filter and transition creation
- Time variable filters
- Batch capture
- Time-lapse capture
- NTSC 29.97 frame rate support
| Zambini |
Adobe Premiere 4.0 | Windows | December 1994 |
- Adobe moves Windows platform release of Premiere directly from v1.1 to v4.0
- Premiere 4.0 for Windows matches capabilities of Premiere 4.0 for Macintosh
| Zambini |
Adobe Premiere 4.2 | Mac | October 1995 |
- CD-ROM Movie Maker Plug-in
- Data rate analysis tool
- Power Macintosh-native Sound Manager 3.1
| TopGun |
Adobe Premiere 4.2 | Windows | April 1996 |
- 32-bit architecture
- Long File Names support
- Background compiling
- Batch movie maker
- 4K output support
- Right-mouse button support
- Uninstaller utility
|
Adobe Premiere 4.2 for Silicon Graphics | UNIX/SGI | July 1997 |
- SGI O2 platform exclusive release
- IRIX 6.3 integration
- OpenGL accelerated versions of transition and special effects plug-ins
- Platform-specific plug-ins by Silicon Graphics for combining 3D and video content
| Primo |
Adobe Premiere 5.0 | Windows and Mac | May 1998 |
- Source/Program editing
- Title window editor
- Keyframeable audio and video filters
- Collapsible tracks
- Up to three hour project length support
| Mustang |
Adobe Premiere 5.0.1 | Windows and Mac | | | Button Fly |
Adobe Premiere 5.1 | Windows and Mac | October 1998 |
- QuickTime 3.0 support
- DPS Perception support
- Preview to RAM
- "Smart" Preview file Timeline export
- Multi-threaded, dual processor support
|
Adobe Premiere 6.0 | Windows and Mac | January 2001 |
- Support for web video and DV formats
- OHCI support
- Title editor
- Storyboard
- Audio mixer
- Timeline video track keyframes
| Jukebox |
Adobe Premiere 6.5 | Windows and Mac | August 2002 |
- Real-time preview
- Adobe Title Designer
- Exporting to DVD as MPEG-2
| Rockford |
Adobe Premiere Pro 1.0 (Adobe Premiere 7.0) | Windows | August 21, 2003 |
- Rewritten source code for the whole program
- Multiple nested timelines
- Color correction tools
- Sample-level audio editing
- Track-based audio effects
- 5.1 surround sound support
- VST audio filters and ASIO audio hardware support
- AAF export
- Customizable keyboard shortcuts
- Adobe Media Encoder
- First inclusion of SurCode for Dolby Digital® 5.1 Encoder for Adobe Premiere Pro bundle into Premiere Pro
| Columbo |
Adobe Premiere Pro 1.5 | Windows | May 24, 2004 |
- Project Manager
- Panasonic 24p support
- Effects favorites
- Project-ready Photoshop file creation
- Automatic loading of built-in After Effects plug-ins
- After Effects clipboard support
- One-click color correction
- AAF and EDL import and export
- New DeEsser and DeHummer audio filters
- New GPU effects
- Bézier keyframe controls
| Starsky |
Adobe Premiere Pro 1.5.1 | Windows | March 1, 2005 |
| Banacek |
Adobe Premiere Pro 2.0 | Windows | January 17, 2006 |
- Docking Workspaces
- Multicam editing
- Adobe Clip Notes
- Dynamic Link with After Effects projects
- DVD authoring from the timeline
- Native HDV editing
- Native SD and HD support
- Enhanced color-correction tools
- 10-bit and 16-bit color resolution support
- 32-bit internal color processing
- GPU-accelerated rendering
| Stingray |
Adobe Premiere Pro CS3 | Windows and Mac OS X | July 2, 2007 |
- Output to DVD, Blu-ray Disc, and Flash
- High-quality slow motion with time remapping
- Direct-to-disc recording and professional on-set monitoring
- Publish Adobe Encore projects to the web
- Multiple project panels with smart file search
- Improved editing efficiency
- Output for mobile devices
- Help documentation available online
| Buffy |
Adobe Premiere Pro CS3 v3.0.1 | Windows and Mac OS X | | | Willow |
Adobe Premiere Pro CS3 v3.1.0 | Windows and Mac OS X | October 18, 2007 |
- Native Panasonic P2 MXF import, editing, and export
| Xander |
Adobe Premiere Pro CS3 v3.1.1 | Windows and Mac OS X | | | Spike |
Adobe Premiere Pro CS3 v3.2.0 | Windows and Mac OS X | April 14, 2008 |
- Native Sony XDCAM MXF import and editing
| Drusilla |
Adobe Premiere Pro CS4 | Windows and Mac OS X | September 23, 2008 |
- Speech Search
- Batch encoding using Adobe Media Encoder
- Over 50 enhancements to editing efficiency (apply filters/transitions to multiple clips, sync lock, smart zoom)
- Media Browser panel to efficiently browse file-based recording media (e.g. Panasonic P2 and XDCAM)
- Project intelligence with new XMP metadata support
- Blending modes
- Sequence-level settings
- Dynamic Link to open Premiere Pro sequences directly in Adobe Encore
- Enhanced Photoshop file import
- Mac support for OnLocation
- AVCHD support (not available in the trial version)
| Ironside |
Adobe Premiere Pro CS4 v4.0.1 | Windows and Mac OS X | November 20, 2008 |
- Final Cut Pro XML import
- OMF export
- Enhanced third-party support
| Whitfield |
Adobe Premiere Pro CS4 v4.0.2 | Windows and Mac OS X | | | Sanger |
Adobe Premiere Pro CS4 v4.1.0 | Windows and Mac OS X | May 29, 2009 |
- Additional support for REDCODE
- Performance improvements to project load time
- Improvements to AVCHD support
- Performance enhancements for DV/HDV playback
- Support for Avid-captured DV or IMX footage
- New 16 channel audio tracks for playout
- Export media to a still format now bypasses the AME render queue
- Enabled .VOB extension support
| Randall |
Adobe Premiere Pro CS4 v4.2.0 | Windows and Mac OS X | November 10, 2009 |
- Panasonic P2 AVC-Intra support (including new sequence presets)
|
Adobe Premiere Pro CS4 v4.2.1 | Windows and Mac OS X | December 8, 2009 |
- Fixed memory issue that occurred when importing large numbers of AVC-Intra files into Adobe Premiere Pro
|
Adobe Premiere Pro CS5 | Windows and Mac OS X | April 30, 2010 |
- 64-bit native application (32-bit OS no longer supported)
- Mercury Playback Engine, which supports GPU-accelerated rendering using qualified nVidia CUDA graphics cards
- Ultra keyer for chroma keying
- Final Cut Pro XML export
- DPX format import and export
- Metadata integration with Adobe Story and Adobe OnLocation
- Face detection and improved speech-to-text
- Direct export option, bypassing Adobe Media Encoder
- Fractional resolution options
- Audio capture metering
| Scully |
Adobe Premiere Pro CS5 v5.0.1 | Windows and Mac OS X | May 26, 2010 |
- Mercury Playback Engine supports additional layers on the NVIDIA GeForce GTX 285 GPU card
| Doggett |
Adobe Premiere Pro CS5 v5.0.2 | Windows and Mac OS X | September 1, 2010 |
- Windows-based Mercury Playback Engine support for new NVIDIA cards (GTX 470, Quadro 4000, Quadro 5000)
- Import and export of RED RMD files to and from REDCINE-X software
- XD-CAM HD export
- Source timecode in XDCAM 4:2:2 footage
- Support QuickTime files from JVC solid-state cameras
- RED Rocket cards support
- Broadcast Wave audio file format support
- Broadcast Wave in OMF export support
- 10-bit DisplayPort support for NVIDIA Quadro cards (Windows only)
| Skinner |
Adobe Premiere Pro CS5 v5.0.3 | Windows and Mac OS X | December 7, 2010 |
- Mercury Playback Engine support for the NVIDIA Quadro 5000m card (Windows) and the NVIDIA Quadro 4000 card (Mac)
| Spender |
Adobe Premiere Pro CS5 v5.0.4 | Windows and Mac OS X | | | Pendrell |
Adobe Premiere Pro CS5.5 | Windows and Mac OS X | May 3, 2011 |
- Mercury Playback Engine support for more NVIDIA cards (Geforce GTX 570, 580, Quadro FX 3700M, FX 3800M, 2000, 2000D, 2000M, 3000M, 4000M, 5010M, 6000)
- MPE acceleration of more video effects
- Merge clips for dual system audio
- Closed captioning playout to firewire and third-party hardware
- Adobe Audition CS5.5 integration
- Improved speech-to-text using Adobe Story scripts
- Canon XF metadata support
- New Film Dissolve effect, Subtract and Divide blend modes
- Create new sequences based on clip properties
| Mulder |
Adobe Premiere Pro CS5.5.1 | Windows and Mac OS X | September 12, 2011 |
- Bug fixes, including some for Mac OS X v10.7 (Lion) compatibility
| Strughold |
Adobe Premiere Pro CS5.5.2 | Windows and Mac OS X | November 1, 2011 |
- nVidia Maximus functionality and bug fixes
|
Adobe Premiere Pro CS6 | Windows and Mac OS X | May 7, 2012 |
- Redesigned Interface, including customizable Monitor panels, larger thumbnails with Resizing and Hover Scrubbing
- Over 50 new editing enhancements
- Improved Mercury Playback Engine, including OpenCL support for specific GPU cards
- Uninterrupted playback while editing
- Unlimited Multicam tracks
- Adjustment layers
- Warp Stabilizer effect
- Rolling Shutter Repair effect
- Updated Three-Way Color Corrector
- New Export Preset Browser
- 16-channel audio export
- Adobe Prelude CS6 integration
- Adobe SpeedGrade CS6 integration
- Adobe Encore CS6 integration
| Mighty Kilt |
Adobe Premiere Pro CS6.0.1 | Windows and Mac OS X | May 25, 2012 |
- Bug fixes and improved OpenCL performance
| Tighty Kilt |
Adobe Premiere Pro CS6.0.2 | Windows and Mac OS X | September 6, 2012 |
- HiDPI for Retina Display, bug fixes, and new supported GPUs
| Slightly Built |
Adobe Premiere Pro CC7.0.0 | Windows and Mac OS X | June 17, 2013 |
- Creative Cloud application (Creative Suite discontinued)
- Sync workspace and keyboard shortcuts over the Creative Cloud
- Integration with Behance
- Redesigned timeline interface
- Lumetri Deep Color Engine
- Mezzanine codecs built in
- Native support for Apple Prores and Avid DNxHD codecs
- Advanced Link and Locate
- Updated Close Captioning tool
- Updated Avid and Final Cut Pro project importer and exporter
| Sir Reel |
Adobe Premiere Pro CC7.0.1 | Windows and Mac OS X | July, 2013 |
- Create a unique title by duplicating a sequence title
- Enhancements to "Lift or Extract" feature
- Copy, Cut, Clear works on In/Out points
- Enable/disable clips using Enable Clip command
- Frame matching using clip selection
- Relink all the media used in a specific sequence without having to relink all the media in the project
- Enhanced EDL Export dialog
- Reveal in Project from Source Monitor
- Linked Selection toggle button available from Timeline
- Reveal in Finder from Timeline
- Default start timecode preference
- Drag and drop files directly from Explorer/Finder into the Source Monitor
- Match Frame enhancements
- Offline clips in the timeline are now always red
- New Bars and Tone creation dialog
- Source Settings (RAW/REDRAW) dialog accessible from Timeline
- Auto-save improvements
- Improved timelapse support when adding clips to a sequence
- Updated keyboard shortcuts
| Sir React |
Adobe Premiere Pro CC7.0.2 | Windows and Mac OS X | | | Get Reel |
Adobe Premiere Pro CC 7.1 | Windows and Mac OS X | October, 2013 |
- Back button added to Media Browser
- Sequences have thumbnails that Hover Scrub in Icon view in the Project Panel
- The Add Edit command overrides track targeting, favoring instead the selected clips under the playhead
- The Edit To Tape dialog supports JKL shortcuts
- Negative speeds can be set in the Clip Speed/Duration dialog for reverse playback
- Audio channel layouts can be selected during QuickTime export
- The Clip Name effect provides three naming options (Sequence Item Name, Project Item Name, File Name)
- The Timecode effect automatically matches the Time Display parameter (or timebase) to the source clip
- Transitions can be pasted to multiple edit points
- All Effect parameters have individual reset buttons
- Support for reading captions from MXF files (SMPTE 436M ancillary data track) as well as writing captions to the MXF OP1a format
- Support for decoding and re-encoding CEA-708 captions.
- Captions in QuickTime movies can be read regardless of the video codec
- Caption files with a *.dfxp filename extension can be imported
- Camera angles in Multicam source sequences can display camera angles as track names or clip names
- New preference to allow the trim type of a previously selected point with the cursor
- Improved, GPU accelerated Direct Manipulation
- Multiple clips and sequences can be sent to Adobe Media Encoder at once
| More Reel |
Adobe Premiere Pro CC 7.2 | Windows and Mac OS X | December, 2013 |
- Voice-over recording directly in the Timeline has been enhanced.
- Multiple Media Browser panels can be open at once for browsing multiple projects or locations simultaneously
- Clip selection overrides track targeting for multiple editing commands (such as Match Frame, Mark Clip, Lift/Extract, Add Edit, etc.)
- Single camera multi-cam only shows single camera in the Source and Program Monitors
- A sequence can be created by dragging media to an empty Timeline panel
- The Ripple Delete command can be used with an In/Out range set in a sequence
- Mercury Transmit can output a Dolby E stream for external hardware decoding
- AVCi100 .mov files can be smart-rendered to MXF-wrapped AVCi100
- OpenCL performance has been improved
- The active source clip name is shown on multi-cam clips used in a sequence
- With a sequence or sequences selected in the Project Panel, a new project can be created from just those sequences by using File > Export > Selection as Premiere Pro project
- Markers can be exported from any asset or sequence to a document, as a .csv or .html file with thumbnails
- Clip markers can be added to selected clips in the timeline without needing to load them into the Source Monitor
- Multicam sequences can be created with a custom preset for switched audio
- Playback performance with XAVC 60p 4K media using Matrox hardware has been improved
- OP1a formats can be used for preview renders
- Improved AVC-Ultra support
- OMF export improvements, especially when working with adaptive audio tracks
- Added support for: NVIDIA GeForce GT 750M (Windows and Mac), NVIDIA GeForce GTX TITAN, NVIDIA Quadro K1100M (Windows) AMD Radeon HD FirePro D300, D500 and D700 (Mac)
| Un Reel |
Adobe Premiere Pro CC 7.2.1 | Windows and Mac OS X | December, 2013 |
- Bug fixes and AMD Radeon R9 290 Series has been added to the OpenCL supported card list
| |
Adobe Premiere Pro CC 7.2.2 | Windows and Mac OS X | April, 2014 |
| |
Adobe Premiere Pro CC 2014.0 | Windows and Mac OS X | June 18, 2014 |
- Masking And Tracking
- Live Text Templates
- CanonRAW
- Sony SStP
- Enhanced CinemaDNG support (including Blackmagic Pocket Cinema Camera, Convergent Design Odyssey7Q, and CinemaDNG source settings)
- ARRI AMIRA camera LUT workflow
- RED GPU Debayer
- Intel Iris architectures are supported for Mercury OpenCL.
- Full support for browsing After Effects projects in the Media Browser has been added, and effects compositions within an AEP can be previewed.
- Users can specify a number of frames for the step forward/back command.
- Media Browser project browse has been significantly improved for multi-project workflows.
- A new progress bar appears over the Premiere Pro icon on the Mac OS X dock or Windows taskbar displaying render progress.
- A new Track Select Backwards tool has been added.
- An option to show transparent/alpha elements of a frame as a gray and white grid has been added.
- A preference has been added to maintain audio pitch on scrub and shuttle.
- The Cross-Dissolve transition is now preset capable.
- Lens Distortion Removal presets have been added for Go Pro and DJI cameras, and the Lens Distortion Removal effect has been ported to Mac.
- Multiple transitions can be selected at once and their durations altered simultaneously.
- Red Giant Pluraleyes workflows have been improved.
- Several issues with AAF export have been resolved.
- A Reverse Match Frame command has been added.
- Significant improvements have been made to effects and transitions parity between Windows and Mac.
- Favorites’ can now be created and navigated to in the Media Browser.
- Double-clicking a track item in a sequence will automatically perform a match frame to the playhead position when it is parked on a frame within that item.
- Typekit support has been added to Premiere Pro, allowing quick access to the Typekit website from the Title menu.
- A preference has been added to allow a user’s most recent autosave file to be automatically backed up to Creative Cloud.
- Comment names are displayed in the Marker panel.
- All video and/or all audio tracks can be locked or unlocked with an assigned keyboard shortcut.
- An Export command has been added to the contextual menu for items in the Project Panel.
- Sequences in the Timeline or Project Panel can be made offline with a right-click.
- A keyboard shortcut can be assigned for the Keyboard Shortcuts dialog.
- Sound roll/Sound timecode can be used in an EDL export.
- Audio clip volume keyframing can be nudged up and down with assignable keyboard shortcuts.
- Scratch-disk workflows have been improved, both when moving between platforms and when the previous scratch disk is offline.
- Searching and sorting in the Project Panel has been made dramatically faster.
- A new Set To Frame Size command has been added, preserving the full resolution of media without rasterizing (as with Scale To Frame Size).
- A new popup has been added to audio track headers to allow fast Voice Over recording configuration.
- Dolby Digital and Dolby Digital Plus (stereo only) can be encoded on export.
- The fx badges on track items have been moved to the left of the name, and can now be disabled.
- More than one keyboard shortcut can be assigned to a single command.
- Improvements have been made to AVCi growing files performance.
- An option has been added to not consolidate duplicates on import.
- Manual sync offsets can be committed to a new Project item.
- SCC or MCC caption files can be created without needing to create accompanying media.
- Effects are preserved when using the Flatten Multicam command.
- An option has been added to create a new folder when a sequence or XML is imported.
- The Mosaic effect has been GPU optimized.
- Assignable keyboard shortcuts have been added for toggling audio and video track outputs.
- A preference has been added to disable automatic import of embedded closed caption streams.
- Users can export to AS11 content packages.
- Users can export to certain types of Quvis Wraptor DCP packages.
| Single Barrel |
Adobe Premiere Pro CC 2014.1 | Windows and Mac OS X | October 6, 2014 |
- Search Bins
- Multiple Project Workflows
- Source Monitor Timeline View
- Consolidate and Transcode
- Improved Masking And Tracking
- Improved Master Clip Effects
- Improved AAF Export
- 4 font size choices for the Project Panel list view
- A new metadata column has been added to the Project panel for Field info
- Preference for label colors and clip names to update all instances and stay in sync
- Sequence timecode can be displayed in the Program Monitor overlay
- Audio timecode can be shown in the overlay for multicam clips
- 5.1 audio channel layouts adhere to ITU-R BR.1384
- Preference to display the end of sequence indicator
- Preference to write markers to the project file or media files
- ‘Discrete’ multichannel QuickTime exports
- “Send To Audition” rendered files are now stored next to the originals
- Alignment options were added to the Clip Name effect
- Scaling beyond 600% is supported
- The Timeline In/Out range now uses shading to indicate track targeting
- 16-channel AS11 outputs are supported
- Keyboard shortcut to join all through-edits in a sequence
- Marker colors are now assignable
- iXML is supported from audio location recorders
- Source Settings are available for Blackmagic CinemaDNG media
- The Timecode effect now displays all source clip timecodes in Multicam Source Sequences
- Improved OMF export
- The Effect Control Panel remembers which parameters were expanded on subsequent use
- Exposed “Copy to Clipboard” in Keyboard Shortcuts dialog
- Export Frame default file name now includes the frame number of the original clip it came from
- Multiple sequence markers can be selected and moved together
- XMP metadata is now supported for all media file types
- Multiple mask control point selection
- Bezier pen tool for drawing irregular mask shapes
- Direct manipulation control on mask outlines for feathered edges
| Caravan |
Adobe Premiere Pro CC 2014.2 | Windows and Mac OS X | December 16, 2014 |
- Arri Open Gate media
- Ability to set transitions and still image default durations in seconds or frames
- Cineform Export improvements
- Improved scrubbing and shuttling in long GOP MXF files
- QuickTime and Cineform codecs are now available for use as sequence preview file formats on Windows.
| Caravan |
Adobe Premiere Pro CC 2015.0 (9.0.0) Build 247 | Windows and Mac OS X | June 15, 2015 |
- New Morph Cut video transition to seamlessly remove Jump Cuts
| Paper Plane |
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